Humans as Curators in Troubled Times

We had some of that golden evening light tonight just after house meeting.  The kind that makes you think maybe an apocalypse is just over the horizon.  That the mountains are on fire.  That the gods are angry.  This Saturday I went for a long bike ride up to the Peak to Peak highway with Amy from Picklebric.  At the Sunshine Saddle she pointed out the cheat grass — an invasive species that she works on.  Studying disturbed ecosystems, and how to assemble new approximations of the originals from the parts at hand.  You can’t get rid of the invasives, but maybe you can influence which ones thrive.  Just beyond the divide above us, the mountains covered with red trees, a forest being transformed in a lifetime.  500 years from now will they be the Aspen mountains?  Tim applied for a job at the Nature Conservancy as a landscape ecologist in a similar vein — understanding and managing wild and semi-wild lands for their own sake.  Like the Colorado river pulse.  All this made me think of the ecopoesis that Kim Stanley Robinson portrayed in his Mars books, especially Green Mars.  Humans as gardeners of the no longer quite wild.  From here on out, it’s all gardening. Mandatory gardening.  It’s just what kind of garden do we want?  What will grow in this climate?

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Links for the week of December 3rd, 2010

If you want to follow my shared links in real time instead of as a weekly digest, head over to Delicious. You can search them there easily too.
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Links for the week of August 28th, 2009

If you want to follow my shared links in real time instead of as a weekly digest, head over to Delicious. You can search them there easily too.
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O Brave New World, Where Are You?

After coming across Yann Arthus-Bertrand’s TED talk recently, and already being familiar with his stunning aerial photography, I was excited to see his film Home, about the Earth, and its dwellers.  It is probably the most beautiful film I have ever seen.  The BBCs Planet Earth is gorgeous, but Home is far better.  Every scene is a piece of art, like his photography, but in motion.  I would pay to see it in high definition.  The first half hour or so is a kind of naturalistic creation myth: true, but poetic.  The formation of the Earth.  The rise of the cyanobacteria, and the oxygenation of our atmosphere.  The eventual emergence of our own species and the journey we took from hunter-gatherers to pastoralists, to city dwelling, fossil fueled, rulers of the world.

But there it stumbles.  While what it says is true, it is not enough.  The truth alone is no longer sufficient.  The film is blind, or nearly so, to the future that we need to see.  It’s too easy, given the truth we have inherited, to envision a dark future.  Vague assertions that the solutions are at hand are not enough.  He exclaims, and rightly so, that “We don’t want to believe what we know.”  For some reason, we are afraid to envision a bright future.  Maybe it’s because throughout the 20th century, the bright futures we envisioned often turned dark.  Social progress became World Wars and gulags.  Technological progress became mustard gas, ICBMs and DDT.  Economic progress became the Depression and the disingenuous promise of perpetual growth through the liquidation of our natural capital.  I agree that we don’t have time to be pessimists, but fodder for pessimism seems to be almost the only content out there in the environmental sphere.  And it’s getting old.

Lagos NigeriaCC by babypinkgrl2003

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